Knight Transportation

The logo of Knight Transportation, whose presence on American freeways is ubiquitous, is a well crafted mark which creatively embeds the heads of both a medieval knight and his horse in the negative and positive space of its single letter monogram. Amidst the mass of poor competitors' logos, Knight Transportation's mark lends credibility and professionalism to the company and its operations.

Credit: Summation

 

Home Away (HomeAway.com)

Vacation rentals website, HomeAway.com, uses a birdhouse to good effect as a visual expression of its competitive advantage in the accommodation industry by reflecting its rhetorical allusion to "a home away from home". The novel graphical approach with its subtle association to a chirping bird, emphasizes the personal, homely nature of the home rental experience in contrast to the traditional big box hotel experience, often summed up by comparing a house to a home.

 

Olive Media

The challenge for branding firms like Olive Media is that their own logos are an explicit expression of their own expertise, an advertisement for their own services. In this case, the company's fresh, quirky name appropriately reflects the creative nature of its business while its graphical counterpart, an olive embedded in the negative space of its single letter monogram, is both appropriate and clever enough to prove that the company can be trusted with the brands of others.

 

Loyola University Greyhounds

The Loyola University Greyhounds' skillfully composed mascot counter-balanced with slanting text is a good example of two asymmetrical parts combining to produce a symmetrical whole which is both visually interesting and visually pleasing. The depiction of its greyhound, whose artistic quality is self evident, is an appropriately dynamic symbol for the institution's athletic team.

 

Bradenton Marauders

Structurally symmetrical and thematically expressive, the logo of Minor League Baseball's Bradenton Marauders is beautifully illustrated, integrating its pirate mascot into a broader elegant style associated with the romanticized 17th and 18th century Golden Age of "marauding" pirates. Every element, from its typography to its decorative swirls, combine to produce a cohesive expression of the team's novel identity.

Credit: Studio Simon

 

The Rancon Group

The logo of real estate and financial services company, The Rancon Group, evokes wisdom and confidence by embedding a silhouette of the knightly chess piece, as a symbol of strategy, in the negative space of its capital R. In what is an enigmatic field to many, the visual association is both clever and effective in portraying the company as a trusted advisor and safe haven.

 

National Park Foundation

Hiding a snow capped mountain and gentle stream in the negative space of a ranger's hat, the logo of the National Park Foundation is an imaginative, vividly expressive and utterly appropriate symbol of national parks in the United States.

 

University of Washington Huskies

The stylized husky logo of the University of Washington is a simple, expressive and beautifully illustrated mark which lends itself almost flawlessly to every necessary application, from digital to print to merchandise. Memorable and unique, the logo is a proud visual representative for the university's athletic teams.

 

Three Rivers Press

The old style logo of book publisher, Three Rivers Press, depicts a small boat gently chugging its way upstream in a visual appeal to the times of yesteryear popularly associated with the prevalence of virtues like honor, respect and integrity. In appealing to this imagery and its associations, the mark, in effect, expresses those very qualities upon which the success of literary merchants is founded.

 

Tostitos (Tortilla Chips)

Unique and memorable, the logo of Tostitos Tortilla Chips associates itself with parties by reflecting their vibrant, fun atmosphere with its bright colors, jaunty custom typography and its personification of the word mark's middle letters as two people sharing a conversation over chips and a bowl of salsa. Hand drawn in a casual, sincere style, the logo promises not simply a salty snack, but a good time.

 

Ryan Air

The logo of Irish low-cost airline, Ryanair, clearly represents its identity by combining two symbols of its personality - a stylized version of the Trinity Harp, a traditional icon of Ireland, along with the no-frills, uppercase typography of its word mark. As a pioneer in the low cost market and formerly a young upstart, Ryanair's visual identity differentiated it from its older, more staid competitors, but having established itself as a mainstay of the industry, the company faces the challenge of maintaining its brand's equity in an industry dependent upon small customer margins and high customer expectations.

 

The University Of New Mexico

Depicting the Spanish style architecture prevalent in the state, the logo of the University of New Mexico juxtaposes a modern graphic with conservative typography to build a beautiful, descriptive and unique identity expressing its academic credentials and modern sensibilities.

 

Southern Illinois Miners

Creatively fusing the team's mining roots with the baseball theme, Minor League Baseball's Southern Illinois Miners logo is a type of visual portmanteau - a baseball bat-pick axe wielding miner, artistically and expressively illustrated in a fashion which lends it to versatile merchandising applications.

 

FC Dallas

A beautiful, simple graphical rendition of its Texas roots, the badge logo of Major League Soccer's FC Dallas draws from imagery popularly associated with the largest state in the Union, from its use of the state's flag colors to its lone star and Texas Longhorn mascot brandishing a Texas shaped patch on its head.

 

Villa Grano

The logo of Brazilian bakery, Villa Grano, expresses the freshness and quality of its products with a crisply drawn, stylized visual metaphor incorporating a head of wheat and loaf of bread which is underscored with a refined, uppercase rendering of its name. The word mark's thin strokes mimic those of the icon which allow the elements to compliment, rather that compete with one another.